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	<title>barrettwatten.net &#187; Documents</title>
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		<title>I Met (ACLA)</title>
		<link>http://barrettwatten.net/events/i-met-acla/2012/04/</link>
		<comments>http://barrettwatten.net/events/i-met-acla/2012/04/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 14:23:44 +0000</pubDate>
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				<category><![CDATA[Documents]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Programs]]></category>
		<category><![CDATA[conceptualism]]></category>
		<category><![CDATA[conferences]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=1006</guid>
		<description><![CDATA[I Met (ACLA) American Comparative Literature Association Brown University, Providence, Rhode Island 30 March–1 April 2012 After On Kawara Omaar Hena Nathan Suhr-Systma Jim Cocola Matthew Nelson Sonya Posmentier Shirley Lau Wong Rachel Epstein Esther Cheung Lytle Shaw Joshua Clover Jasper Bernes Diana Sue Hamilton Seth Perlow Anthony Reed Heather Russell Annie McClanahan Jonathan Skinner [...]]]></description>
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		<title>Document 15: What Is Literature? (FR)</title>
		<link>http://barrettwatten.net/texts/document-15-what-is-literature-fr/2011/08/</link>
		<comments>http://barrettwatten.net/texts/document-15-what-is-literature-fr/2011/08/#comments</comments>
		<pubDate>Tue, 16 Aug 2011 20:35:14 +0000</pubDate>
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				<category><![CDATA[Documents]]></category>
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		<category><![CDATA[France]]></category>
		<category><![CDATA[literature]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=967</guid>
		<description><![CDATA[Two publications I brought back from France this summer, both of which I would like to consider (and question) as possible definitions of &#8220;the literary&#8221;—after a quote from Jacques Rancière (cited by Omar Berrada): &#8220;L&#8217;homme est un animal politique parce qu&#8217;il est un animal littéraire, qui se laisse détourner de sa destination &#8216;naturelle&#8221; par le [...]]]></description>
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		<title>Document 14: Nowa Poezja Amerykansky (Anthology)</title>
		<link>http://barrettwatten.net/texts/document-14-nowa-poezja-amerykansky-anthology/2011/08/</link>
		<comments>http://barrettwatten.net/texts/document-14-nowa-poezja-amerykansky-anthology/2011/08/#comments</comments>
		<pubDate>Sat, 06 Aug 2011 22:15:39 +0000</pubDate>
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				<category><![CDATA[Documents]]></category>
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		<category><![CDATA[Language writing]]></category>
		<category><![CDATA[translation]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=964</guid>
		<description><![CDATA[Nowa poezja amerykanska (New American Poetry), special issue of Literatura na swiecie (Warsaw) no. 11–12 (2010). Featuring poetry translated into Polish by Lyn Hejinian, Tony Hoagland, Elizabeth Willis, Peter Gizzi, Lisa Jarnot, Harryette Mullen, Forrest Gander, Cole Swensen, Barrett Watten, John Yau, and David Schubert; with essays, reviews, and interviews; www.literaturanaswiecie.art.pl. From the Polish translation [...]]]></description>
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		<title>Document 13: Multi-Language Poetry After 2001</title>
		<link>http://barrettwatten.net/texts/document-13-multi-language-poetry-after-2001/2011/07/</link>
		<comments>http://barrettwatten.net/texts/document-13-multi-language-poetry-after-2001/2011/07/#comments</comments>
		<pubDate>Mon, 11 Jul 2011 15:17:24 +0000</pubDate>
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		<category><![CDATA[translation]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=944</guid>
		<description><![CDATA[At our recent conference in Mainz, Germany, on collectivity and literature, David Simpson (a critic of romanticism who made the theory/cultural studies turn in the 70s and has produced a number of significant and wide-ranging works since then) presented a keynote lecture titled &#8220;After 9/11: The Fate of Strangers,&#8221; on the position of the foreigner (stranger; étranger; Fremde) [...]]]></description>
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		<title>Document 12.3: Grand Piano Review contd.</title>
		<link>http://barrettwatten.net/texts/document-12-3-grand-piano-review-contd/2011/01/</link>
		<comments>http://barrettwatten.net/texts/document-12-3-grand-piano-review-contd/2011/01/#comments</comments>
		<pubDate>Sun, 16 Jan 2011 02:38:54 +0000</pubDate>
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		<category><![CDATA[reviews]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=860</guid>
		<description><![CDATA[Published on The Nation (http://www.thenation.com) Vanishing Points: Language Poetry Remembered Barry Schwabsky &#124; January 12, 2011  [contd. from last post] Because Language poets had been tagged as theorists when one of the prime themes of theory was supposedly &#8220;the death of the author,&#8221; and because they were the authors of poetry that seemed to have [...]]]></description>
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		<title>Document 12.2: Grand Piano Review contd.</title>
		<link>http://barrettwatten.net/texts/document-12-2-grand-piano-review-contd/2011/01/</link>
		<comments>http://barrettwatten.net/texts/document-12-2-grand-piano-review-contd/2011/01/#comments</comments>
		<pubDate>Sun, 16 Jan 2011 02:36:17 +0000</pubDate>
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		<guid isPermaLink="false">http://barrettwatten.net/?p=857</guid>
		<description><![CDATA[Published on The Nation (http://www.thenation.com) Vanishing Points: Language Poetry Remembered Barry Schwabsky &#124; January 12, 2011  [contd. from last post] That book was Ron Silliman&#8217;s Ketjak. Silliman was part of a group of poets writing mostly in the San Francisco area or in New York City and whose work was called Language poetry or Language [...]]]></description>
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		<title>Document 12.1: Grand Piano Review</title>
		<link>http://barrettwatten.net/texts/document-12-1-grand-piano-review/2011/01/</link>
		<comments>http://barrettwatten.net/texts/document-12-1-grand-piano-review/2011/01/#comments</comments>
		<pubDate>Sun, 16 Jan 2011 02:26:45 +0000</pubDate>
		<dc:creator></dc:creator>
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		<guid isPermaLink="false">http://barrettwatten.net/?p=851</guid>
		<description><![CDATA[The following is the first substantial review of The Grand Piano since its completion with Part X in 2010. To begin with, I will cite it in sections; I will comment on specific issues raised in the review, once it has been seen more generally. *** Published on The Nation (http://www.thenation.com) Vanishing Points: Language Poetry Remembered [...]]]></description>
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		<title>Document 11: Beyond the Horizon</title>
		<link>http://barrettwatten.net/texts/document-11-beyond-the-horizon/2010/02/</link>
		<comments>http://barrettwatten.net/texts/document-11-beyond-the-horizon/2010/02/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 16:44:51 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Documents]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[copyright]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=674</guid>
		<description><![CDATA[I want to cite the opening lines of Bob Dylan&#8217;s &#8220;Beyond the Horizon&#8221; for my private, noncommercial use: from Beyond the Horizon Beyond the horizon, behind the sun At the end of the rainbow life has only begun In the long hours of twilight &#8216;neath the stardust above Beyond the horizon it is easy to [...]]]></description>
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		<title>Document 10: Girl Scout Nation</title>
		<link>http://barrettwatten.net/texts/document-10-girl-scout-nation/2010/02/</link>
		<comments>http://barrettwatten.net/texts/document-10-girl-scout-nation/2010/02/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 14:35:23 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Documents]]></category>
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		<category><![CDATA[ecopoetics]]></category>
		<category><![CDATA[sampling]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=643</guid>
		<description><![CDATA[Sampling a fragment from Yedda Morrison&#8217;s Girl Scout Nation (Displaced Press, 2008); cf. trauma in the previous post. In Morrison&#8217;s work trauma is distributed, refunctioned, &#8220;naturalized.&#8221; Poet and ideal reader become identified the inviolable/violated figure of the Girl Scout who must see behind nature&#8217;s naturalization, where she finds: in that stalker suit you&#8217;re hard to see          tracking [...]]]></description>
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		<title>Document 09: A Propos Frame</title>
		<link>http://barrettwatten.net/texts/document-09-a-propos-frame/2010/02/</link>
		<comments>http://barrettwatten.net/texts/document-09-a-propos-frame/2010/02/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 03:03:25 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Documents]]></category>
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		<category><![CDATA[Jacques Derrida]]></category>
		<category><![CDATA[poet/critic]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=621</guid>
		<description><![CDATA[from Frame Multicolored piles of gravel on black asphalt behind rows of aluminum sheds. We put frames around anything we wish. In one version, wild dogs go for each other&#8217;s throats (they assume the optimal to exist). Unoccupied territory between opposing sides. Matter of interest unfolds as a story. Conflicts put on the table for debate. [...]]]></description>
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