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	<title>barrettwatten.net &#187; Entries</title>
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		<title>Entry 14: The Perfect Ashbery (Review)</title>
		<link>http://barrettwatten.net/texts/entry-14-the-perfect-ashbery-eview/2011/08/</link>
		<comments>http://barrettwatten.net/texts/entry-14-the-perfect-ashbery-eview/2011/08/#comments</comments>
		<pubDate>Sat, 06 Aug 2011 21:14:46 +0000</pubDate>
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				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[John Ashbery]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=961</guid>
		<description><![CDATA[Planisphere, by John Ashbery. New York: HarperCollins/Ecco Press, 2009. There is one poem in Planisphere I would love to have written. I see it as an apogee of Ashbery&#8217;s art, toward which all combinations of rhetoric and slippage, on their elliptical path, tend. This is language art at its finest. I&#8217;ll leave it at that: STRESS RELATED You [...]]]></description>
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		<title>Entry 13: Jackson Mac Low as Reading Machine</title>
		<link>http://barrettwatten.net/texts/entry-13-jackson-mac-low-as-reading-machine/2010/09/</link>
		<comments>http://barrettwatten.net/texts/entry-13-jackson-mac-low-as-reading-machine/2010/09/#comments</comments>
		<pubDate>Sat, 25 Sep 2010 14:27:00 +0000</pubDate>
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				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[poetics]]></category>
		<category><![CDATA[readings]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=829</guid>
		<description><![CDATA[&#8220;Jackson Mac Low as Reading Machine: Stanzas for Iris Lezak, Sampling, and Print Culture,&#8221; presented at High and Low, European Network for Avant-Garde and Modernist Studies, Adam Mickiewicz University, Poznan, Poland, 11 September 2010. [From the introduction] In this paper, I propose a historical and cultural reading of postmodern practices of textual sampling and “reading [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Entry 11: For a Left Ashbery Critique</title>
		<link>http://barrettwatten.net/texts/event-00-for-a-left-ashbery-critique/2010/03/</link>
		<comments>http://barrettwatten.net/texts/event-00-for-a-left-ashbery-critique/2010/03/#comments</comments>
		<pubDate>Sat, 13 Mar 2010 03:10:23 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[critical theory]]></category>
		<category><![CDATA[John Ashbery]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=755</guid>
		<description><![CDATA[from &#8220;Ashbery&#8217;s Historicism:  Nonsite Hypotaxis and Modernity Critique in The Double Dream of Spring&#8220; Presented at John Ashbery in Paris: International Conference 12 March 2010, Institut Charles V, Université Paris Diderot What makes The Double Dream of Spring both unique and exemplary for Ash­bery’s work is its positive critique of social modernity, rather than a mere [...]]]></description>
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		<title>Entry 10: Lost Landscapes of Detroit</title>
		<link>http://barrettwatten.net/texts/entry-10-lost-landscapes-of-detroit/2010/02/</link>
		<comments>http://barrettwatten.net/texts/entry-10-lost-landscapes-of-detroit/2010/02/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 04:43:50 +0000</pubDate>
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				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[Detroit]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=697</guid>
		<description><![CDATA[Tonight at MOCAD, San Francisco archive activist Rick Prelinger showed an hour&#8217;s worth of material from his vast collection of film images of Detroit from the first three quarters of the 20th century (earliest 1917; latest in the 70s). I attended, along with several hundred other people—the space was full to overflowing. The screening was open to [...]]]></description>
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		<title>Entry 09: Frequency of Posts</title>
		<link>http://barrettwatten.net/texts/entry-09-frequency-of-posts/2010/02/</link>
		<comments>http://barrettwatten.net/texts/entry-09-frequency-of-posts/2010/02/#comments</comments>
		<pubDate>Sun, 07 Feb 2010 04:32:05 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[digital culture]]></category>
		<category><![CDATA[knowledge base]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=648</guid>
		<description><![CDATA[Yesterday was the first day since beginning this project that I was unable to add daily content. My initial plan had been to add &#8220;something&#8221; on a daily basis, and to make the necessity of doing that at such a frequency part of determining what &#8220;something&#8221; is (see Entry 07, &#8220;Is This Anything&#8221;). I remain [...]]]></description>
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		<title>Entry 08: Homage to Lee Crabtree</title>
		<link>http://barrettwatten.net/texts/entry-08-homage-to-lee-crabtree/2010/02/</link>
		<comments>http://barrettwatten.net/texts/entry-08-homage-to-lee-crabtree/2010/02/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 16:28:19 +0000</pubDate>
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				<category><![CDATA[Entries]]></category>
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		<category><![CDATA[autobiography]]></category>
		<category><![CDATA[counterculture]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=626</guid>
		<description><![CDATA[Recent threads on The Fugs have brought to mind my early encounter with their music, and the band itself, during my first visit to the St. Mark&#8217;s Church-in-the-Bowery, November 1965. When asked for a short statement on the Poetry Project for Anne Waldman&#8217;s anthology Out of This World: An Anthology of the St. Mark&#8217;s Poetry Project, [...]]]></description>
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		<title>Entry 07: Is This Anything?</title>
		<link>http://barrettwatten.net/texts/entry-07-is-this-anything/2010/01/</link>
		<comments>http://barrettwatten.net/texts/entry-07-is-this-anything/2010/01/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 03:14:57 +0000</pubDate>
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				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Images]]></category>
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		<category><![CDATA[video]]></category>
		<category><![CDATA[conceptualism]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=447</guid>
		<description><![CDATA[My resolve for this website project, at least at the outset, has been to post &#8220;something&#8221; once a day. But what counts as something? One of David Letterman&#8217;s fugitive routines suggests a standard for judgment: &#8220;Is it something, or is it nothing?&#8221; Not remembering the correct title for the routine, I searched the internet and [...]]]></description>
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		<title>Entry 06: Sylvia Plath&#8217;s Collage</title>
		<link>http://barrettwatten.net/texts/entry-06-sylvia-plaths-50s-collage/2010/01/</link>
		<comments>http://barrettwatten.net/texts/entry-06-sylvia-plaths-50s-collage/2010/01/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 02:20:21 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Images]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[cultural poetics]]></category>
		<category><![CDATA[Sylvia Plath]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=320</guid>
		<description><![CDATA[Like many who identified with the epochal chasm between The New American Poetry and mainstream verse of the 50s and 60s (whose benchmark anthology was Hall, Pack, and Simpson&#8217;s New Poets of England and America), I have been skeptical about Sylvia Plath; the cult of her suicide; the Plath, Sexton, Lowell, Berryman quadriviate; and any kind of confessionalism. As [...]]]></description>
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		<title>Entry 05: Criticizing the Poet/Critic</title>
		<link>http://barrettwatten.net/texts/entry-05-criticizing-the-poet-critic/2010/01/</link>
		<comments>http://barrettwatten.net/texts/entry-05-criticizing-the-poet-critic/2010/01/#comments</comments>
		<pubDate>Thu, 14 Jan 2010 20:53:06 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entries]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[George Oppen]]></category>
		<category><![CDATA[poetics]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=274</guid>
		<description><![CDATA[In today&#8217;s mail came the current Critical Inquiry (36, no. 2; Winter 2010), which I earlier noticed would contain an essay on George Oppen (John Wilkinson, &#8220;The Glass Enclosure: Transparency and Glitter in the Poetry of George Oppen&#8221;). I had been looking forward to that discussion with interest, in terms of Oppen but also of where poetry criticism seems to be going in CI, after [...]]]></description>
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		<title>Entry 04: Computer Visualization</title>
		<link>http://barrettwatten.net/texts/entry-04-computer-visualization/2010/01/</link>
		<comments>http://barrettwatten.net/texts/entry-04-computer-visualization/2010/01/#comments</comments>
		<pubDate>Tue, 12 Jan 2010 16:45:17 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entries]]></category>
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		<category><![CDATA[digital culture]]></category>
		<category><![CDATA[Tibet]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=238</guid>
		<description><![CDATA[One should inscribe the letter A on the heart of one&#8217;s shadow. [Next], without blinking, one should gaze fixedly at the latter A [drawn] at the heart [of the shadow], And focus one&#8217;s awareness upon [the letter A]. Then, once the eyes have grown numb [through strain], One should look up into the center of [...]]]></description>
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