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	<title>barrettwatten.net &#187; Links</title>
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		<title>Link 13: Who Is Rae Armantrout?</title>
		<link>http://barrettwatten.net/texts/link-13-who-is-rae-armantrout/2010/05/</link>
		<comments>http://barrettwatten.net/texts/link-13-who-is-rae-armantrout/2010/05/#comments</comments>
		<pubDate>Wed, 12 May 2010 01:47:19 +0000</pubDate>
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				<category><![CDATA[Links]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[Language writing]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=799</guid>
		<description><![CDATA[The New Yorker&#8216;s recent gatekeeping effort to separate Rae Armantrout from the rest of her friends in the Language school. While it is never true that negative reviews sell books—they can kill a book as often as they sell it—here the demon of curiosity can only be let out of the bag with tantalizing references to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Link 12: Slechte Geschiedinis (Bad History)</title>
		<link>http://barrettwatten.net/texts/link-12-slechte-geschiedinis-bad-history/2010/04/</link>
		<comments>http://barrettwatten.net/texts/link-12-slechte-geschiedinis-bad-history/2010/04/#comments</comments>
		<pubDate>Fri, 16 Apr 2010 01:28:25 +0000</pubDate>
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				<category><![CDATA[Links]]></category>
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		<category><![CDATA[history]]></category>
		<category><![CDATA[translation]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=768</guid>
		<description><![CDATA[Selections from Slechte Geschiedinis (Bad History), trans. Samuel Vriezen, Parmentier 19, no. 1, special issue on &#8220;Documentaire poëzie&#8221; (Documentary Poetics; March 2010), 48-56. http://www.literairtijdschriftparmentier.nl De eerste Parmentier van dit jaar staat grotendeels in het teken van hedendaagse ‘documentaire poëzie’ uit Amerika. Documentaire poëzie is poëzie die zich nadrukkelijk presenteert als een vorm van documentatie en [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Link 11: Sentences Mediated</title>
		<link>http://barrettwatten.net/texts/link-11-sentences-mediated/2010/03/</link>
		<comments>http://barrettwatten.net/texts/link-11-sentences-mediated/2010/03/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 03:35:55 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
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		<category><![CDATA[digital culture]]></category>
		<category><![CDATA[Language writing]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=750</guid>
		<description><![CDATA[Michael Waltuch&#8217;s Whale Cloth Press, the original publisher of Robert Grenier&#8217;s Sentences in the Chinese box version (with ivory clasps, manufactured in Hong Kong), has put up a mediated version of the poem. http://www.whalecloth.org/grenier/sentences.htm It is interesting to think about the tensions between the work in its print/index card/box format and its digital one—they are [...]]]></description>
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		<title>Link 10: Ice House Detroit</title>
		<link>http://barrettwatten.net/texts/link-10-ice-house-detroit/2010/03/</link>
		<comments>http://barrettwatten.net/texts/link-10-ice-house-detroit/2010/03/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 03:20:15 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
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		<category><![CDATA[conceptualism]]></category>
		<category><![CDATA[Detroit]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=745</guid>
		<description><![CDATA[A link to the Ice House Detroit project, courtesy Joe Paszek. In this project, Detroit artists sprayed an abandoned house with water in January, in a reversal of the usual method of getting rid of excess housing inventory by fire (a.k.a. Devil&#8217;s Night, a custom that seems to be on the wane). There is a [...]]]></description>
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		<title>Event 07: John Ashbery in Paris</title>
		<link>http://barrettwatten.net/texts/event-07-john-ashbery-in-paris/2010/02/</link>
		<comments>http://barrettwatten.net/texts/event-07-john-ashbery-in-paris/2010/02/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 18:53:18 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Texts]]></category>
		<category><![CDATA[John Ashbery]]></category>
		<category><![CDATA[poetics]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=728</guid>
		<description><![CDATA[&#8220;Ashbery&#8217;s Historicism: Regions of Modernity           in The Double Dream of Spring&#8220; Workshop Session III, 14:30–17:00 Friday, 12 March 2010 John Ashbery in Paris: International Conference 11–13 March 2010 Institut Charles V, Université Paris Diderot For the complete program, see: http://johnashberyinparis.blogspot.com/2010/02/conference-programme.html]]></description>
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		<title>Link 09: Pretheoretical Example</title>
		<link>http://barrettwatten.net/texts/link-09-pretheoretical-example/2010/02/</link>
		<comments>http://barrettwatten.net/texts/link-09-pretheoretical-example/2010/02/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 04:12:46 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
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		<category><![CDATA[music]]></category>
		<category><![CDATA[U.K.]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=689</guid>
		<description><![CDATA[From Drew Daniel&#8217;s &#8220;pretheoretical&#8221; account of Throbbing Gristle&#8217;s 20 Jazz Funk Greats: By replacing the swing and feel of live instruments with the rigidity of sequencers, TG ensured that their stab at funk would feel mechanical, deliberately inhuman, lacking in interplay. By replacing tight riffs and thoughtful, carefully sculpted solos with murky cornet groans and [...]]]></description>
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		<title>Link 08: Content Concept</title>
		<link>http://barrettwatten.net/texts/link-08-content-concept/2010/02/</link>
		<comments>http://barrettwatten.net/texts/link-08-content-concept/2010/02/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 04:12:04 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
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		<category><![CDATA[knowledge base]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=655</guid>
		<description><![CDATA[Midwestern Water Wars is an on-going wiki project to construct an evolving knowledge base of an apocryphal series of natural/human events in the mid-twentieth-century biosphere: http://waterwars.wikidot.com Its process of construction combines elements of indexicality and narrative, dada informatics and role-playing games. The authors add content and develop the site structure independently and in dialogue with each other. The evolving narrative structure produces, as [...]]]></description>
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		<title>Link 07: Reznikoff Reads Holocaust</title>
		<link>http://barrettwatten.net/texts/link-07-reznikoff-reads-holocaust/2010/02/</link>
		<comments>http://barrettwatten.net/texts/link-07-reznikoff-reads-holocaust/2010/02/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 04:46:11 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
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		<category><![CDATA[destruction]]></category>
		<category><![CDATA[Objectivism]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=636</guid>
		<description><![CDATA[from Research A number of Jews had to drink seawater only to find out how long they could stand it. In their torment they threw themselves on the mops and rags used by the hospital attendants and sucked the dirty water out of them to quench the thirst driving them man. —Charles Reznikoff, Holocaust, 9–10          [...]]]></description>
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		<title>Link 06: Displaced Agency in Social Space</title>
		<link>http://barrettwatten.net/texts/link-06-displaced-agency-in-social-space/2010/01/</link>
		<comments>http://barrettwatten.net/texts/link-06-displaced-agency-in-social-space/2010/01/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 02:08:46 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
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		<category><![CDATA[Detroit]]></category>
		<category><![CDATA[social space]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=611</guid>
		<description><![CDATA[In a FaceBook post today, Bay Area artist Scott MacLeod began a thread that concerns me directly and which I will paste here, along with an explanation and answer to his query: Scott MacLeod: Complete the following: &#8220;Displaced agency in social space becomes nearly filmic in its sutured continuity—and the meaning of this temporal autonomy of [...]]]></description>
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		<title>Link 05: 4&#8242; 33&#8243; for Large Orchestra</title>
		<link>http://barrettwatten.net/texts/link-05-4-33-for-large-orchestra/2010/01/</link>
		<comments>http://barrettwatten.net/texts/link-05-4-33-for-large-orchestra/2010/01/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 16:34:31 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Links]]></category>
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		<category><![CDATA[conceptualism]]></category>
		<category><![CDATA[John Cage]]></category>

		<guid isPermaLink="false">http://barrettwatten.net/?p=549</guid>
		<description><![CDATA[The details are all in this performance of John Cage&#8217;s 4&#8242; 33&#8243; for large orchestra, conducted by Lawrence Foster, the Barbican Center, London, 2004. Thanks to Joseph Coates for the link.  John Cage, 4&#8242; 33&#8243;]]></description>
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