Entries tagged with Language writing

Michael Waltuch’s Whale Cloth Press, the original publisher of Robert Grenier’s Sentences in the Chinese box version (with ivory clasps, manufactured in Hong Kong), has put up a mediated version of the poem.

http://www.whalecloth.org/grenier/sentences.htm

It is interesting to think about the tensions between the work in its print/index card/box format and its digital one—they are not identical. For one thing, even though the cards are displayed in a random order, different each time, they can never be displayed spatially—tacked up on a bulletin board, or placed on steps, or photographed in the crotch of a tree. The box was a three-dimensional boundary (like the skin surrounding the body of the work) that is quite a bit unlike a frame for a static two-dimensional image or an html page with flash animation. And yet the work is finding a new reception that reads the individual instances of the text in a kind of “free space” of interpretation:

http://steveroggenbuck.blogspot.com/2010/02/i-would-say-that-robert-grenier-makes.html

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“Presentism and Periodization in Language Writing, Conceptual Art,
          and Conceptual Writing”

Panel on “Post-Presentism” with Jonathan Eburne
ASAP/Association for the Study of the Arts of the Present
23–24 October 2009, Crowne Plaza Hotel, Knoxville, TN

 

On Kawara, Oct. 23, 1989, oil on board.

 

Link 01: This at Wikipedia

This, the literary magazine I co-edited with Robert Grenier from 1971–74 and continued to edit and publish until 1982, now has a Wikipedia entry: http://en.wikipedia.org/wiki/This_Press. This is how the entry currently reads:

This (magazine)

For the Canadian political magazine, see This Magazine.

This is a poetry journal associated with what would later be called Language poetry.

First three issues edited by Robert Grenier and Barrett Watten (1971-1973); subsequent nine issues edited by Watten (1973-1982) who also published monographs under the imprint This Press (1974?-1986?).

External links

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