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Location: Ozarks region; date: circa 1516; time: various.

In the 1530s and 40s, the Spaniard Cabeza de Vaca and his conquistadores followed the Mississippi River and came in contact with various Native American tribes of varying dispositions. Upon befriending the Avavares further westward they were told a most unusual tale. According to the Indians, approximately sixteen years earlier the region had been visited by another “bearded” character of unusual aspect. This fellow was called by the Indians “Malacosa” or Mr. “Bad thing” (according to the Spaniards) an accurate appellation given his proclivities. Even though bearded his facial features were “never seen clearly” or where otherwise indistinct or else clouded by a mist. This character “invaded” Indian homes by night, accompanied by a light and an electrical sensation that would make the hair of the inhabitants “stand on end.” Apparently paralyzed, the poor tribespeople would stand helpless as, armed with a “blazing brand” or wand the bearded creature would rush inside and perform intrusive surgeries upon its victims. … More

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Entry 03: Mala cosa

This entry takes the place of a previous one, which turned out to be a gateway for malware. I wanted to undertake a small conceptual project, after posting Asa’s logo of Detroit “rising from the ashes,” of searching for the words “deterritorializing Detroit” and putting up the results, for use later perhaps. I did so, and listed the top ten entries, with descriptive copy: theory and techno, Arab Detroit and hiphop, globalization and Fordism were among the links.

The next morning I clicked on one, a theory blog that connected Deleuze and Guattari with Detroit techno. I checked a music site for Drexciya, a techno group from the 90s that has since disbanded—this was the entry point for the malware, which crashed the firewall and set up a fake virus protection program that simulated a virus scan, posted the results, and demanded payment as protection from further threats. Every action I took to bypass it resulted in an error message that said “program infected” or produced another popup.

… More

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Image 03: Detroit logo

Detroit logo by Asa Watten. "It will rise from the ashes."

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Cover of Henry Ford, Moya zhizn, moy dostizheniya (My Life and Work; Leningrad: Vremya, 1926); courtesy Jonathan Flatley.

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A direct citation of my poem “Complete Thought,” without permission or credit (by “permission” I mean some form of notice or request) could be found (until I posted the link), at: http://withhiddennoise.net. It has since disappeared; I would be happy to have the poem online, but just with some credit and communication.

A direct citation with permission (accompanying translation into Dutch in the print journal Parmentier):

http://www.literairtijdschriftparmentier.nl/pop.php?id=65

The second meets the “alterity” test of my previous post. In the first instance, it was not clear whether this was an extract or the whole poem (twenty-five of fifty sections were printed), nor where the complete poem could be obtained. There are also at least two parodic rewrites of “Complete Thought”: one by Lisa Jarnot, “Complete Hog,” Night Scenes (Flood Editions, 2008); and a second in an ephemeral chapbook which I will post when I find it.

… More

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Timed to coincide with the recent meeting of MLA in Philadelphia, a three-hour symposium to develop “best practices” of Fair Use in the citing of poetry was organized by the Poetry Foundation on 30 December, at the Franklin Institute. A notably expert group of poets and critics, led by a Washington, D.C.-based intellectual property lawyer, sought consensus (and divergence) around issues of the citation/appropriation of poetry in critical and creative works and the degree of protection that should be afforded to published, unpublished, and archival material. The process will continue, with the eventual goal of establishing recommendations for Fair Use in citing poetry that would encourage, rather than exploit in various forms of cultural profit-taking, public critical discussion of poetry.

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Document 02: Notice

Hinweis zum Unweltschutz

Ab dem Zeitpunkt der Umsetzung der Europäische Richtlinie 2002/96/EU in nationales Recht gilt folgendes: elektrische und elektronische Geräte dürfen nicht mit den Hausmüll entsorgt werden.

Der Verbraucher ist gesetzlich verpflichtet, elektrische und elektronische Geräte am Ende ihrer Lebensdauer an den dafür eingerichteten, öffentlichen Sammelstellen oder an die Verkaufstelle zurückzugeben.

Das Symbol auf dem Produkt, der Gebrauchsanleitung oder der Verpackung weist auf diese Bestimmungen hin.

Mit der Wiederverwertung, der stofflichen Verwertung oder anderer Formen der Verwertung von Altgeräten leisten Sie einen wichtigen Beitrag zum Schutz unserer Umwelt.

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Image 01: Notgeld

Notgeld, Thuringia, 1923. Designed by Herbert Bayer.

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Jennifer_ > Hi Barrett. Welcome to Online Support. I’m Jennifer. Please allow me a moment to review your concern.

Barrett > You want me to run support software? If I do, my chat session will end. Please advise.

Jennifer_ > Thanks for waiting, Barrett. I’m sorry that the Wireless Device does not appear in the Device Manager Window. I’ll be glad to assist you with this.

Jennifer_ > That’s not required, Barrett.

Barrett > OK.

Jennifer_ > Have you changed the preinstalled Operating System in the Computer?

Jennifer_ > I didn’t receive a response. Are you still with me?

… More

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Entry 01: Site Construction

From its launch in January 2010, this site will continuously add new content: writings, events, critical and cultural theory, poetics, and links. The site architecture is built from motifs adapted from Herbert Bayer’s 2,000,000 Mark note produced for the Weimar Republic state of Thuringia—a prescient synthesis of social modernity, modern art, and financial disaster. Many thanks to Asa Watten for his artistic and technical expertise in making this project possible!

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